In the current cultural zeitgeist, Hong Kong film director Wong Kar-Wai’s maiden TV show “Blossoms Shanghai” is drawing audiences around China, leaving a lasting impression on the collective consciousness. Particularly resonant is a pivotal scene featuring actor Hu Ge as a male protagonist who engages the bespoke services of Ningbo’s “Hongbang” tailors. This sartorial accolade – which helps Hu seamlessly transit from an urban nobody to an urbane nobler – has become a cinematic watermark, propelling the “Hongbang” tailors from script to spotlight. The ensuing surge in demand for suits mirroring Hu’s attire has deluged the ateliers of Ningbo’s “Hongbang” tailors, while online enthusiasts are captivated by this traditional artistry.
What, then, underlies the allure of Ningbo’s “Hongbang” tailors? As is often quoted, “Clothes make the man”. And the “Hongbang” tailors, hailing from Ningbo, indisputably stand as paragons of mastery in crafting decent wears.
Amongst their achievements are pioneering in suit and Zhongshan attire, establishing the premier Western-style suit emporium, proffering the foremost treatise on suit tailoring, and inaugurating the premier school dedicated to this craft. The “Hongbang” tailors emerge as vanguards in the realm of modern Chinese garment reform, brandishing a near-flawless report card.
Armed with little more than shears, a pressing iron, and a strip of leather, these mostly working-class artisans confronted adversity with stoicism. Around a hundred years ago, they persevered to brave it out: They traversed city streets, canvassed business on international vessels, and eventually evolved into material processors and shop proprietors.
In an epoch of seismic transformation, the initial cadre of “Hongbang” tailors astutely seized the moment kindled by the “suit fever” in the newly opened port of Shanghai, swiftly becoming linchpins in the city’s sartorial landscape. By the end of the 1940s, Shanghai boasted an excess of 700 Western-style haberdasheries, with sixty percent helmed by Ningbo denizens.
These enterprising denizens from Ningbo, buoyed by consummate skill and innate commercial acumen, were known for their communal business ventures. They strategically fanned out to metropolitan centers such as Beijing, Nanjing, Harbin, Chongqing, and Hong Kong, garnering national acclaim for their tailoring establishments. At the time, luminaries including Mei Lanfang, Cheng Yanqiu, Hu Die, and Ruan Lingyu, were fervent patrons, frequenting the ateliers periodically for some “Haute Couture” that bespoke their discerning tastes.
In the wake of China’s epochal reform and opening up, a new vanguard of “Hongbang” tailors has emerged. Their aims have transcended the traditional “aspiration” of establishing a “three-story, ten-door suit store” (then considered a giant of this profession).
Under the aegis of “Ningbo attire, bedecking the world,” a cadre of fashion juggernauts has risen in Ningbo, now entrenched as stalwarts on the Double Eleven sales charts. As the preeminent champion in national manufacturing, Ningbo’s fashion and textile industry has burgeoned beyond the hundred-billion-yuan echelon, solidifying its status as the premier garment manufacturing epicenter and export nexus – a bona fide beacon in China’s sartorial realm.